Hi everyone! While I drag my feet on actually updating this goddamn blog, here’s some Prince-related writing of mine from elsewhere on the Internet: a piece I wrote for the online magazine published by record-of-the-month club Vinyl Me, Please. Thanks very much to VMP for making this happen!
Every once in a while, we’ll interrupt our usual programming on dance / music / sex / romance to repost something relevant from our sister site, Dystopian Dance Party. Today–and in honor of D.D.P.’s most sacred holiday season, Jheri Curl June–it’s a podcast where my cohost Callie and I look at the cottage industry of (very) thinly-veiled side projects introduced by Prince between 1981 and 1987: including the Time, Vanity 6, Sheila E, Apollonia 6, the Family, Mazarati, Jill Jones, and others. If you’re a Prince fan–and, if you’re at this website, I’m going to go out on a limb and guess you are–then some of this stuff is essential listening.
First, though, a word of warning, as I’m afraid there’s a factual error in this one: I was speaking from memory in the section about Sheila E, and incorrectly stated that “Noon Rendezvous” began life as a Revolution outtake. It was actually co-written by Prince and Sheila for the Glamorous Life album; the Revolution just happened to cover it in concert. Oops! Anyway, I left that bit in because I still like the song, so just enjoy the music and try to ignore the fact that I’m blatantly lying to you.
Show notes are here. We’ll be back to the chronological Prince grind starting, I believe, Wednesday; in the meantime, check out Dystopian Dance Party every weekday in June for more ’80s R&B that owes more than a slight debt to His Royal Badness.