So, uh, it’s been a while. I know I haven’t looked it, but I’ve actually been relatively busy these past few weeks, preparing to relaunch d / m / s / r for its fifth year and beyond. It has been slow, tedious work, but it’s looking great and I think will overall be a much better reading experience. I can’t wait to share it later this month.
In the meantime, I wanted to make sure you all know about this weekend’s virtual symposium celebrating 40 years of Dirty Mind and 30 years of Graffiti Bridge. This will be the third Prince-focused symposium organized by De Angela Duff (of New York University and the Grown Folks Music podcast network), who previously put together the wonderful symposia on the 30th anniversaries of Lovesexy in 2018 and Batman in 2019. I am honored to be a small part of this year’s event (which is being held remotely due to the ongoing COVID-19 pandemic), along with friends of d / m / s / r Darling Nisi, Harold Pride, Erica Thompson, Karen Turman, and Chris Aguilar Garcia, and a bunch of other people who I have either had the pleasure to meet or have long admired from afar. If you’re interested in seeing me specifically, I will be on a roundtable on Sunday at 5:30 p.m. with KaNisa and podcasters Michael Dean, Ivan Orr, and Ricky Wyatt, discussing the Time’s Pandemonium album. But really, you should just check out the whole thing. The event is free, and now that it’s held virtually, you don’t need to travel to Brooklyn to join us (hell, you don’t even need to put on pants!).
You can view the symposium schedule and register to attend here:
Thank you so much to De Angela for extending the invitation to participate; I’ve been a fan of her work for a while and just waiting for the opportunity to connect. Can’t wait to see everyone this weekend!
(Featured Image: My quick ‘n’ dirty d / m / s / r logo, apologies to Warner Bros. and Andy Warhol.)
It’s hard to believe that it’s been a whole two years since I launched dance / music / sex / romance. I want to thank everyone who’s been following along thus far; many of you, I know, have been here pretty much from the beginning. If you need a refresher on (most of) what’s happened since the last year-end round-up, here you go:
So, what have we done in the last 12 months? A little less than I promised this time last year, but also a lot more. If you look purely at the number of songs covered on the blog, my progress has slowed significantly: a mere 20, versus last year’s 45. If I keep up this pace, the 2036 end point I semi-jokingly offered last year just might become a reality. But I’ve also been doing a lot more than I was doing in June 2017. The podcast has taken on a life of its own; I’ve become a regular guest on another podcast, Prince: Track by Track; I wrote an essay about Prince and New Wave for publication in an anthology on Prince and the Minneapolis Sound; I presented on two panels at the Prince from Minneapolis conference; I launched my own magazine, thanks in large part to the support and goodwill of a small but dedicated group of readers.
I’m not gonna lie, I have more plans for extracurricular activities in 2018-19. Some of them depend on external forces outside my control; some of them you’ll probably be hearing about in the near future. But I also think that the next 12 months of d / m / s / r will be a little bit of a “back to basics” move. I really want to get through more than two albums by next June; I really want to go back to my weekly post routine. I have some thoughts about how to make this possible with my other commitments, which I’ll be sharing in the near future. For now, if you’ve been reading this blog, thanks for hanging in there for the lean times and thanks for your support. And if you’ve just started reading, welcome! I hope you enjoy this labor of love as much as I continue to.
Here at last, after much delay, is my conversation with Chris Aguilar-Garcia and Natalie Clifford, two presenters from this May’s interdisciplinary Prince conference at the University of Salford. Both Chris and Nat identify as queer, and both have very interesting things to say about Prince’s legacy of “revolutionary queerness” and the space he created for less conventional expressions of gender and sexuality in the mainstream. If you liked the last episode with Snax, chances are you’re gonna like this one.
This is the part of the description where I would normally say we’re switching gears and moving away from the Salford conference, but as it happens, we already have another interview with a presenter in store. So basically, I’ll keep doing these as long as people want to talk to me. If you still want to listen to me–and, more importantly, my eloquent guests–feel free to subscribe on your podcast service of choice (iTunes, Stitcher, or Google Play), or listen on Mixcloud. And if you really like us, take that aforementioned podcast app and shoot us a rating or review; it will make us more “discoverable” and broaden the listening base. In the meantime, thanks as always for listening!
(Featured Image: Purple Rain Tour Shirt, 1984; photo stolen from the Current.)
It’s been just under two months since I started interviewing presenters from this spring’s interdisciplinary Prince conference at the University of Salford, and I’ve been absolutely thrilled with the results. But all good things must come to an end, so I had planned to make this chat with writer Erica Thompson the last of my post-conference podcasts. It would have been a great choice, too; Erica’s presentation was the result of many years of research for a book project on Prince’s spiritual journey, so our conversation was less about the conference in particular and more about her findings more generally: a nice segue into future, less Manchester-centric episodes.
But just when I think I’m out, they keep pulling me back in. Contrary to my own statements in this episode, I have already set up another interview with a few presenters from one of the conference’s gender and sexuality panels. So basically, expect me to keep interviewing scholars from the Purple Reign conference until the next milestone in Prince scholarship comes along. And in the meantime, please enjoy my and Erica’s conversation about the importance–and, sometimes, difficulty–of understanding Prince’s religious faith in relationship with his art.
As usual, I invite you to subscribe to the podcast on iTunes, Stitcher, or Google Play for mobile listening; you can also stream episodes on Mixcloud. And keep listening, because there’s good stuff–Purple Reign-related and otherwise–coming up in the near future!