Loving Prince Means Believing Black Lives Matter

Loving Prince Means Believing Black Lives Matter

(Featured Image: Uptown, Minneapolis May 31, 2020; photo stolen from Sara Savoy’s Twitter.)

I wasn’t sure if I wanted to write about the uprisings against police brutality currently going on in the United States and elsewhere; to be honest, it feels a little self-aggrandizing to insert myself into the conversation. But for better or worse, d / m / s / r is the biggest platform I have, and I would be remiss if I didn’t use it to add my voice to those calling for justice and long-overdue, radical change.

Believing that Black lives matter is the only reasonable or appropriate position for a blog about Prince to take. Prince was a Black man who centered his Blackness in every aspect of his life and work. He was famously a major financial contributor to the Black Lives Matter organization before his death in 2016; he used his platform as a presenter at the 2015 Grammy Awards to shout out the movement; and after the murder of Freddie Gray by Baltimore police officers that same year, he wrote the song “Baltimore” and organized a benefit concert to help heal the city after days of unrest. According to cowriter Dan Piepenbring, he wanted his unfinished memoir to “solve racism.”

All of this indicates a shift, late in his life, to overt political activism; but even at the height of his crossover success, he was already trying to imagine a better world for Black people. “Uptown” is a vision of racial unity, set in a city whose history often does not live up to its inclusive reputation. “America” is a Hendrix-esque reappropriation of “America the Beautiful” with sardonic new lyrics about inner-city desperation. Even “The Cross” draws from the long African American spiritual tradition of using scripture to advocate for liberation. And this isn’t even to mention the litany of songs released later in his career that are even more forthright in addressing racism: from “The Sacrifice of Victor” to “We March,” from “Dreamer” to “Black Muse.”

As a rule, I try to avoid speculating on what Prince would have thought or done had his time on Earth not come to an end four years ago. But I am confident that, had he lived to witness the police killings of Philando Castile in July 2016 and George Floyd last month–not to mention the countless other acts of police brutality, fatal or otherwise, against Black people in the Twin Cities and elsewhere–he would have been fully in support of these protests. And, while I am also usually not one to say that we should do or believe everything that Prince did, in this instance, I can’t think of a more productive way to honor his memory.

But enough from me. I’d like to take this opportunity to share some critical perspectives on Prince from Black writers and podcasters. Please feel free to share more in the comments:

Also, please consider donating to these or other resources supporting the struggle for Black lives in Minneapolis. If nothing else, this is something we know that Prince would have done:

In lieu of suspending Patreon payments this month, I will be donating all patron fees to the above organizations. Thanks for reading, take care of yourselves, and I’ll be back at a time when it feels appropriate.

Prince Track by Track: “Sticky Like Glue”

Prince Track by Track: “Sticky Like Glue”

(Featured Image: “She’s got him now, boys!” 19th century “trade card” for Le Page’s glue; photo stolen from the Boston Public Library’s Flickr.)

Yes, I know, three Prince: Track by Track posts in a row isn’t exactly a testament to my productivity, but I’m still aiming to get “Nasty Girl” out by the end of the week. Meanwhile, here’s me and Track by Track host Darren Husted on a nice little tune from Prince’s underrated 20Ten album:

Prince Track by Track: “Sticky Like Glue”

Thanks for your patience as I continue to work on the next proper chapter!

Prince’s Friend: Who was Prince’s Best Drummer – Judge’s Panel

As I continue to work on my next proper post, I’m happy to share another collaborative effort I had the opportunity to participate in with popular YouTubers Prince’s Friend, Nightchild-Ethereal, and Mr. Ant. We discussed the eight main drummers Prince worked with during his career–Bobby Z, Sheila E, Michael B, Kirk Johnson, Cora Coleman-Dunham, John Blackwell, and Hannah Welton–and ranked them based on our performances. I hope you enjoy it, even if for some reason I was not looking at the camera in the first clip! Thanks to Prince’s Friend for the opportunity, and to Darling Nisi for recommending me.